No. Spotify plays a leading role in a healthier music industry as a sort of radio station and record store all rolled into one — but without their limitations.
With radio, artists can reach lots of listeners. However, there’s limited space in a radio station’s rotation of songs, making it harder for artists to break through. And in some markets, not all artists are compensated for their music being played.
Artists benefit from a high purchase price in record stores, but physical and digital sales don’t generate money from all of an artist’s fans — only those willing to spend money to download tracks or purchase a full album. And again, there is the issue of limited space – not all artists are able to have their CDs or vinyls on a shelf in a physical record store.
Spotify solves these challenges with streaming. Streaming is where fans come to put their favorite artists on repeat, but it’s also where casual fans discover new music or rediscover old favorites. And revenue is generated from both types of listening —(1) from fans who pay for Spotify Premium, and (2) from advertisers that fund Spotify’s Free tier. (We have over 250M Premium subscribers, and more than 60% of first-time subscribers start out on the Free tier and then later upgrade.)
When Spotify launched in 2008, the global recording industry was being ravaged by piracy — spiraling downward from 1999’s peak of over $24 billion in revenue to the industry’s low point in 2014, when the combined market of physical and digital sales was $13 billion.
Since then, streaming has powered the resurgence of the music industry. Spotify’s all-time payouts to music rights holders now stand at nearly $60 billion.
When you consider the growth of the overall royalty pool paid out to rights holders and the expanding number of artists succeeding thanks to streaming, we believe the future is incredibly bright for artists’ careers. The IFPI’s* 2025 report showed that the global recorded music industry in 2024 had far surpassed the 1999 peak, — having reached $29.6 billion as an industry.
*All statements on this website attributable to IFPI represent Spotify’s interpretation of data, research opinion, or viewpoints published as part of the IFPI Global Music Report in March 2025 and have not been reviewed by IFPI. Each IFPI publication speaks as of its original publication date and not as of the date of this report (March 19, 2025).